Tunes Published in Common Stock
|
Tune Name |
Found In |
Page |
|
Time Signature |
|
10 Again |
43 |
Fin Moore |
C |
|
|
Adam Glen |
8 |
|
3/4 |
|
|
Ae Bow an' Twa Bellows |
30 |
Brian J.M. Rumble |
¢ |
|
|
Airlie Brae |
43 |
Alex Barty |
6/8 |
|
|
Aitken Drum |
16 |
|
2/4 |
|
|
Ale Is Dear, The |
28 |
arr Hamish Moore |
4/4 |
|
|
All the Night I Lay With Jockey |
16 |
Peacock's Collection |
3/2 |
|
|
All the way to Newcastle |
40 |
Donald Lindsay |
2/4 |
|
|
Allemain |
27 |
Jon Swayne |
4/4 |
|
|
Amy |
32 |
Lindsay Davidson |
4/4 |
|
|
Andrew and Gertie Dear Friends |
33 |
George Greig |
6/8 |
|
|
Andy’s Boardwalk |
16 |
Allan Sturrock |
4/4 |
|
|
Angie’s Jig |
16 |
Callum Armstrong |
6/8 |
|
|
Anon's Anal |
19 |
|
6/8 |
|
|
Archie Howitt’s Farewell to Informatics |
41 |
Chris Cooke |
4/4 |
|
|
Archie Howitts Farewell to Informatics |
41 |
Chris Cooke |
4/4 |
|
|
Arrane Sooree (Courting Song) |
16 |
|
6/8 |
|
|
Asturias Jig (Innes' Jig) |
34 |
Rory Campbell |
6/8 |
|
|
Bagpipe Concerto call'd the Battle of Aghrem, or the Football March, A |
20 |
Geoghegan's "Complete Tutor for the Pastoral or New Bagpipe" |
¢ |
|
|
Bagpipe Tune, The |
51 |
|
6/4 |
|
|
Ballad of Johnie Armstrang, The |
8 |
Arr Matt Seattle |
3/4 |
|
|
Banks of Lochiell, The |
16 |
|
6/8 |
|
|
Beg an Vann |
42 |
D. Houghton |
¢ |
|
|
Beginning of Days, The |
44 |
Pete Stewart |
3/4 |
|
|
Between the Woods and Frozen Lake |
|
Pete Stewart |
|
|
|
Bonnie Gallowa’ |
25 |
|
4/4 |
|
|
Bonny Braes of Elcho, The |
40 |
Julian Goodacre, harmony by Matt Seattle |
C |
|
|
Bonny Lad |
43 |
var. Brian Rumble |
4/4 |
|
|
Bonny Lass O'Livingstone, The |
16 |
|
2/4 |
|
|
Border Ballad |
16 |
Bill Telfer |
3/4 |
|
|
Bow Tow, The |
13 |
Hamish Moore |
3/4 |
|
|
Boys on a Thursday |
6 |
Alasdair McLean Gibbs |
2/4 |
|
|
Bride Has a Bonny Thing, The |
8 |
|
6/8 |
|
|
Bride Has a Bonny Thing, The |
24 |
|
6/8 |
|
|
Bride Has a Bonnyt Thing II, The |
8 |
|
|
|
|
Buffons |
32 |
|
4/4 |
|
|
Burning of the Piper's Hut (w/ seconds) |
38 |
seconds by Alistair Neilson |
4/4 |
|
|
Butterflies |
34 |
Volker Dellwo |
3/4 |
|
|
Cabar Feidh |
19 |
|
4/4 |
|
|
Cameronian Rant |
25 |
arr. B.W. Shears |
¢ |
|
|
Canaries |
10 |
|
6/4 |
|
|
Canaries |
36 |
|
3/4 |
|
|
Carifran Woods |
40 |
Pete Stewart |
4/4 |
|
|
Cate of Bardie |
33 |
|
2/4 |
|
|
Cauld Kail in Aberdeen [strains 7 & 8] |
15 |
|
4/4 |
|
|
Changing Moods |
39 |
Brian Rumble |
6/8 & 9/8 |
|
|
Chanter 2 |
|
Donald Lyndsay |
|
|
|
Charlie Symmie's Welcome Aboard |
31 |
Iain A. MacLeod |
6/8 |
|
|
Cherry Wood Loom, The |
41 |
John Dally |
C |
|
|
Cheviot Blaw, The |
30 |
Alister Wilson |
6/8 |
|
|
Clutch of Hopes |
38 |
D. Lindsay |
6/8 |
|
|
Cormac Cannon’s |
31 |
Tiber F.M.Falzett |
¢ |
|
|
Corporal James Montague’s Farewell to the 7th Argyle & Sutherland Highlanders.1967. |
32 |
Andrew S. Montague |
2/4 |
|
|
Coulter's Candy |
33 |
arr. Lester Clarke |
4/4 |
|
|
Cowpie |
8 |
Jon Swayne |
9/8 |
|
|
Crackers--the Cat That Chased Its Tail |
7 |
Gordon Mooney |
2/4 |
|
|
Cruds and Cream |
43 |
|
6/8 |
|
|
Cutie Clat Her |
27 |
|
6/4 |
|
|
Cuttie spoon and treeladel |
37 |
|
2/2 |
|
|
Cutty Sark |
12 |
Callum Armstrong |
6/8 |
|
|
Cutty Spoon |
37 |
|
4/4 |
|
|
Cuttyman and Treeladle |
9 |
|
¢ |
|
|
Cuttyman and Treeladle |
36 |
|
¢ |
|
|
Da Day Dawes (See also "Hey, Now the Day Dawis," "The Day Dawis," "Da Day Dawes," and "The Day It Dawes" |
38 |
|
6/4 |
|
|
Dance to your Daddy |
23 |
arr. Roderick Cannon |
3/2 & 3/4 |
|
|
Dancing Bear, The |
49 |
Arr. Craig Hohm |
4/4 |
|
|
Dave and Ange’s Wedding Jig |
17 |
Claire Miller |
6/8 |
|
|
Day Dawis, The (See also "Hey, Now the Day Dawis," "The Day Dawis," "Da Day Dawes," and "The Day It Dawes" |
37 |
|
6/8 |
|
|
Day it Dawes, The (See also "Hey, Now the Day Dawis," "The Day Dawis," "Da Day Dawes," and "The Day It Dawes" |
39 |
|
6/8 |
|
|
Dead Slow Pedestrian Crossing |
41 |
Alan Turnbull |
6/8 |
|
|
Dentist Who Didn't Pull Teeth, The |
26 |
Ian Ferguson |
6/8 |
|
|
Dicke’s Away |
48 |
|
6/4 |
|
|
Dockyard Reel, the |
33 |
John Saunders |
4/4 |
|
|
Don't Give Up The Day Job |
45 |
Alex Barty |
4/4 |
|
|
Dorrington |
18 |
|
9/4 |
|
|
Dottirt Carlin, The |
31 |
Steve Wall |
3/4 |
|
|
Dove Crag |
27 |
Chris Ormston |
C |
|
|
Dr. Ish |
28 |
John Saunders |
6/8 |
|
|
Dr. Martin Lowe |
14 |
Pete Stewart |
9/8 |
|
|
Drops of Brandy (with variations) |
CS Vol 3 No 1 |
15 |
Variations by P. Roberts |
9/8 |
|
Drumlanrig’s March |
18 |
|
4/4 |
|
|
Duke of Atholl's March and Pibrach |
19 |
|
¢ |
|
|
Elsie Marley |
34 |
|
6/8 |
|
|
Farewell to Ireland |
6 |
|
4/4 |
|
|
Fear nan Meur Sleanmha (The Man with Slippery Fingers) |
42 |
Dan Houghton |
3/4 |
|
|
Felton Lonning (Peacock’s version) |
10 |
|
6/8 |
|
|
Ffarther be in the welcome, The |
14 |
|
Various |
|
|
Finlay Donald Willie’s Jig |
31 |
Fin Moore |
6/8 |
|
|
First Morning in May, The |
43 |
|
2/4 |
|
|
Flaxen Lass of Always, The |
44 |
Julian Goodacre |
6/8 |
|
|
Flower of Yarrow |
14 |
|
3/4 |
|
|
From Night to Morn |
32 |
|
C |
|
|
Fyket, The |
8 |
|
C |
|
|
Galloway Tom |
26 |
|
12/8 |
|
|
Gentil Day Dawes, The |
40 |
|
4/2 |
|
|
Gin Drinker’s Dream, The |
12 |
Paul Roberts |
9/4 |
|
|
Gird the Logie, for the Pipe Ingram's Set |
14 |
|
(none) |
|
|
Grim Douglas of Threave |
43 |
Jock Agnew |
6/8 |
|
|
Hacky Hony |
30 |
Wm. Dixon tr. Pete Stewart |
9/4 |
|
|
Had I Heart for Falsehood Framed (based on Molly Astore) |
34 |
|
2/4 |
|
|
Hallow Fair |
6 |
|
6/8 |
|
|
Hammermen’s March |
31 |
|
4/4 |
|
|
Hammermens March |
31 |
|
4/4 |
|
|
Hannah Wilson's Jig |
41 |
Jim Hurson |
6/8 |
|
|
Harvest Home |
28 |
arr. Donald Lindsay |
C |
|
|
Health to All the Lords and Ladyes of the Courte, A |
11 |
|
4/4 |
|
|
Heather's Jig |
34 |
R. J. Aston |
9/8 |
|
|
Herd of The Glen, The |
23 |
arr. Matt Seattle |
3/4 |
|
|
Herd of the Glenn, The |
25 |
|
3/4 |
|
|
Hey, Now the Day Dawis (See also "Hey, Now the Day Dawis," "The Day Dawis," "Da Day Dawes," and "The Day It Dawes" |
36 |
|
2/4 |
|
|
High Over Bunachton -- a Marching Air |
|
Hamish Moore |
4/4 |
|
|
Hit her upon the bum and she come near me |
25 |
|
6/4 |
|
|
Hogmanay Song |
28/29 |
|
|
|
|
Hold It Back |
43 |
Brian Rumble |
¢ |
|
|
Hope's Jig |
36 |
Tom Robertson |
6/8 |
|
|
Horne Pipe, The |
32 |
|
3/4 |
|
|
How Imperfect is Expression |
33 |
|
2/4 |
|
|
How She Will Never Be Guided |
6 |
|
9/8 |
|
|
Hunt’s Up |
10 |
|
6/4 |
|
|
Hurricane Rant |
44 |
Donald Lindsay |
C |
|
|
If the Kirk Would Let Me Be |
51 |
|
9/4 |
|
|
If You Will Not Rock It, Let It Lie And Blare |
17 |
Reavely manuscript |
3/2 |
|
|
In Praise of Whiskey Garlic Fried Rice |
44 |
Dan Houghton |
C |
|
|
Ireland at Peace Again |
CS Vol 3 No 2 |
23 |
Andy Hunter |
¢ |
|
I've Lost My Sgian Dhu |
6 |
Jock Agnew |
2/4 |
|
|
Jack Lattin |
22 |
|
2/4 |
|
|
Jackie Latin (Jackey Layton) |
33 |
|
4/4 |
|
|
Jack's Gone A-Shearing* |
9 |
|
3/2 |
|
|
Jaime Gilchrist's March |
11 |
Andy Hunter |
4/4 |
|
|
Jedburgh Ba’ Game, The |
10 |
Gary West |
4/4 |
|
|
Jenny Dang the Weaver |
CS Vol 3 No 2 |
19 |
Donald MacDonald's setting |
C |
|
Jenny’s Polka |
13 |
George Greig |
2/4 |
|
|
Jim Buchanan’s Halibut |
43 |
George Greig |
6/8 |
|
|
Jim Buchanan’s Halibut |
3 |
George Greig |
6/8 |
|
|
John Stewart of Balnacroft |
42 |
Pete Stewart |
6/8 |
|
|
Johnny Lad |
38-41 |
|
4/4 |
|
|
Joy Go with my Love |
9 |
|
6/8 |
|
|
Julie & Ann’s Wedding Waltz |
36 |
Matt Seattle |
3/4 |
|
|
Kate o’ Bardie |
9 |
|
6/4 |
|
|
Kate of Bardie |
11 |
|
6/8 |
|
|
Kimiad |
22 |
|
4/4 |
|
|
Kim's Welcome to the Rambling Rovers |
36 |
Volker Dellwo |
4/4 |
|
|
Knave of Clubs |
8 |
|
9/4 |
|
|
La Cucaracha |
25 |
|
3/4 |
|
|
Laird's Good Brother, The |
42 |
David Johnson & Dick Hensold |
9/4 |
|
|
Lament for the Viscount of Dundee |
19 |
|
4/4 |
|
|
Lanca=Shire pipes |
13 |
|
6/4 |
|
|
Lang Nichts an Cauld Wind |
15 |
Peter Duggan |
4/4 |
|
|
Lansgstrom's Pony |
9 |
|
6/8 |
|
|
Lass From Sighthill |
27 |
Nigel Richard |
3/4 |
|
|
Lass if I come Near You |
35 |
|
4/4 |
|
|
Lasses Booses Brandy |
29 |
John Bell |
4/4 |
|
|
Lasses Drink at Brandy |
29 |
David Young |
4/4 |
|
|
Lasses Pisses Brandy |
28 |
Wm Vickers |
¢ |
|
|
Lassie Gae Milk On My Cow Hill |
16 |
Robert Riddell's Collection |
3/2 |
|
|
Let’s shak her Weall |
19 |
|
C |
|
|
Liberation of Tynemount, The |
33 |
Peter Stewart |
3/4 |
|
|
Lily Crerar |
17 |
George Greig |
6/8 |
|
|
Linkumdoddie - or - Blue Britches |
11 |
|
C |
|
|
Logan Water |
23 |
|
? |
|
|
Lord Drummore's Rant |
21 |
|
¢ |
|
|
Lullaby for Eve |
|
George Greig |
|
|
|
Lynne and Steve’s Big Day |
19 |
George Greig |
6/8 |
|
|
Mac Valerie Aonghuis Bhig |
42 |
Fin Moore |
6/8 |
|
|
Maggie Lauder (Maggy Lautter) |
23 |
|
C |
|
|
Maggy Lauder |
7 |
|
2/4 |
|
|
March of Dreams |
45 |
Alan Morley |
2/4 |
|
|
Martin Lowe of Gullane |
5 |
|
9/8 |
|
|
Minister's Mare, The |
24 |
|
6/8 |
|
|
Moniaive Ceilidh, The |
12 |
John Bushby |
4/4 |
|
|
Mr. Preston's Hornpipe |
21 |
|
3/2 |
|
|
Mrs Joan Cross |
40 |
Lee Moore |
2/4 |
|
|
Mrs. Janet Hannay of Kirkdale House |
32 |
Jim Hurston |
6/8 |
|
|
My Wife Has Gone a Drinking |
25 |
|
3/4 |
|
|
New Reill, A |
15 |
|
4/4 |
|
|
No Going Back |
32 |
George Greig |
6/8 air |
|
|
O’er the Dyke |
21 |
Wm. Dixon tr. Pete Stewart |
4/4 |
|
|
O'er the Moor for a' that |
45 |
arr. Donald Lindsay |
C |
|
|
Old Man of Hoy |
32 |
John Saunders |
6/8 |
|
|
Old Simon Brodie |
14 |
|
4/4 |
|
|
One Over the Eight |
34 |
John Spoore |
9/8 |
|
|
Paddy O Snap |
25 |
|
9/8 |
|
|
Paddy Whack |
34 |
|
6/8 |
|
|
Peacock follows the Hen, The |
23 |
|
9/8 |
|
|
Pencaitland Bridge Hornpipe, The |
14 |
Pete Stewart |
9/4 |
|
|
Pigges of Rumsey |
12 |
|
4/4 |
|
|
Pioneer’s March, The |
38 |
|
6/8 |
|
|
Pipe on the Hob |
41 |
arr. Donald Lindsay |
6/8 |
|
|
Piper's Pectoral, The (or Bellows Bump) |
37 |
Brian Rumble |
2/4 |
|
|
Planxty Pringle |
38 |
Matt Seattle |
6/8 |
|
|
Ploughman, The |
31 |
Trad/ Ian Ferguson |
4/4 |
|
|
Pretty Wench, A |
35 |
|
4/4 |
|
|
Put on Your Sark on Monday |
37 |
|
4/4 |
|
|
Raeburn Park |
32 |
Alex Barty |
2/4 |
|
|
Rathio Fair -- a Reel |
17 |
arr. Matt Seattle |
¢ |
|
|
Richard Scowgall’s Salute to the Burghers of Haddington from the Wall Head of the Tollbooth |
19 |
Pete Stewart |
9/8 |
|
|
Right of Way (May?) |
46 |
N. Richard |
6/8 |
|
|
Roadworks Rant, The |
39 |
Vicki Swan |
4/4 - 6/8 |
|
|
Robert Cresser |
40 |
Hamish Moore |
3/4 |
|
|
Robert Walker – A Tune for Anita |
14 |
George Greig |
6/8 |
|
|
Robin Hood |
32 |
|
6/8 |
|
|
Robin Shure in Hearst |
32 |
|
3/2 |
|
|
Roxburgh Castle |
5 |
|
4/4 |
|
|
Rusty Bully |
37 |
|
6/8 |
|
|
Salmon Tails |
48 |
|
4/4 |
|
|
Sandy Duff |
24 |
|
¢ |
|
|
Sandy’s New Chanter |
55 |
Tom MacAllister, arr Sarah Wade |
6/8 |
|
|
Sarie Marais |
25 |
|
C |
|
|
Scotch Hunt’s Up, The |
45 |
|
6/8 & 6/4 |
|
|
Scotch Hunts Up, The |
35 |
|
6/8 |
|
|
Scothe Hunte suppe, The |
43 |
|
3/4 |
|
|
Scots Marche, The |
40 |
|
6/4 |
|
|
Scottish Jigge |
13 |
|
4/4 |
|
|
Scottish Jygge, A |
9 |
|
4/4 |
|
|
Scottish Poetry Library Jig, The |
31 |
David Stevenson |
6/8 |
|
|
Scottish Poetry Library Jig, The (corrected) |
36 |
|
6/8 |
|
|
Scunner, The |
33 |
John Dally |
6/4 |
|
|
Seeking The Galloway |
35 |
|
6/8 |
|
|
Shaking of the Sheets, The |
42 |
|
6/4 |
|
|
Sheugare Candie |
29 |
Blaikie |
4/4 |
|
|
Sic a Wife as Willy Had |
11 |
|
C |
|
|
Siciliana |
44 |
Callum Armstrong |
6/8 |
|
|
Simon Brodie |
14 |
|
4/4 |
|
|
Simon Brodie |
16 |
|
¢ |
|
|
Sleepy Hamish |
42 |
G. Greig |
6/8 |
|
|
Soldiers Joy |
29 |
arr. Donald Lindsay |
C |
|
|
Sonata for Small Pipes |
24 |
Lindsay Davidson |
2/4 |
|
|
Song for the Smallpipes |
41 |
R. Mathieson |
C air |
|
|
Song of the Solway Sands |
37 |
Jock Agnew |
6/8 |
|
|
Souters of Selkirk, The |
6 |
|
9/8 |
|
|
Sowens and Sour Milk |
48 |
|
6/8 |
|
|
Spirits of Whisky |
26 |
|
6/8 |
|
|
Squirrel in the Garden |
28 |
A. S MacPherson |
2/4 |
|
|
Stubborn Pumper, The |
28 |
Jim Morrison |
9/8 |
|
|
Stumpie & Jenny's Fain but Jocky's Fu' |
7 |
arr. as a duet by Jock Agnew |
4/4 |
|
|
Such a Wife as Willy Had |
11 |
|
C |
|
|
Sweet as Sugar Candie |
41 |
|
|
|
|
Sweet as Sugar Candy |
28 |
Bewick |
4/4 |
|
|
Sweet Molly |
24 |
|
|
|
|
Taste Life's Glad Moments |
33 |
|
6/8 |
|
|
Teribus |
16 |
As played by Hawick Fife & Drum Band |
4/4 |
|
|
Teribus (Original Set) |
16 |
As played by Walter Ballantine 17771 |
4/4 |
|
|
Thanks to Julian |
13 |
Callum Armstrong |
6/8 |
|
|
Thrie Sheips Skinns |
37 |
|
4/4 |
|
|
Torphichen’s Rant |
7 |
|
4/4 |
|
|
Toye, A |
12 |
|
6/8 |
|
|
Twa Braw Bairns (or The Twins Welcome To The World) |
17 |
Gordon Mooney |
6/8 |
|
|
Ulles Reel |
35 |
John Saunders |
4/4 |
|
|
Untitled |
11 |
|
4/4 |
|
|
Untitled |
12 |
|
6/8 |
|
|
Upstroke |
13 |
|
3/4 |
|
|
Upstroke, An |
8 |
|
6/4 |
|
|
Vind Over Joeren |
33 |
Brian Rumble |
2/4 |
|
|
Wally As The Marquess Ran |
15 |
|
¢ |
|
|
Waltz for Polle |
22 |
|
6/4 |
|
|
Washington's March |
19 |
|
6/4 |
|
|
Wat ye what I got late Yestreen |
18 |
|
Various |
|
|
Wat ye what I got Late Yestreen - Bagpipe Set |
15 |
|
(none) |
|
|
Wat ye what I got late yestreen’ |
46 |
|
6/8 |
|
|
Waterdog, The |
14 |
Craig Hohm |
3/4 |
|
|
Wednesday Express |
29 |
Jon Swayne |
6/8 |
|
|
Wee Totum Fogg (w/variations) |
18 |
|
3/2 |
|
|
Welcome Home My Dearie [1] |
9 |
|
3/2 |
|
|
Welcome Home My Dearie [2] |
11 |
|
3/2 |
|
|
Welford Place |
29 |
John Goodacre |
4/4 |
|
|
Westwick Sound |
31 |
Peter Aitchison |
6/8 |
|
|
Where will our Goodman Ly |
26 |
|
4/4 |
|
|
Wherefore Come ye Here I’se Warrant |
44 |
John Young |
6/4 & 6/8 |
|
|
White House Waltz, The |
12 |
Callum Armstrong |
3/4 |
|
|
Whore’s March, The |
39 |
|
6/8 |
|
|
Wisdom of the North, The |
29 |
Pete Stewart |
6/8 |
|
|
Wo Betyd Thy Wearie Bodie |
37 |
|
4/4 |
|
|
Wright's Rant, The |
17 |
|
6/8 |
|
|
Yah Yah Clink Clink |
31 |
Donald Lindsay |
4/4 |
|
|
Yooky Taes [Barn Dance] |
18 |
Pete Stewart |
4/4 |
|
|
Young Collins (duet) |
28 |
arr. John Goodacre |
C |
